Intentio

Intentionality in an Age of Slop

A Manifesto for the Intentional Internet

“And Nothing is very strong: strong enough to steal away a man’s best years not in sweet sins but in a dreary flickering of the mind over it knows not what and knows not why, in the gratification of curiosities so feeble that the man is only half aware of them, in drumming of fingers and kicking of heels, in whistling tunes that he does not like, or in the long, dim labyrinth of reveries that have not even lust or ambition to give them a relish, but which, once chance association has started them, the creature is too weak and fuddled to shake off.”

— C.S. Lewis, The Screwtape Letters (1942)

Fish (Still Life) by Paul Cézanne
Fish (Still Life), Paul Cézanne, (1864) Art Institute of Chicago

I. The Quiddity of Slop

Slop has been the word du jour over the past year1. Both Merriam-Webster23 and the Economist4 named ‘slop’ their ‘Word of the Year’ for 2025. The term has been used to describe everything from the bizarre faux-Christian ‘shrimp Jesus’5 images which briefly flooded Facebook, to the sludge-like interchangeable fast-casual meals derided as ‘slop-bowls’6.

However, I don’t think there has been a succinct description for the quiddity; the essence of, ‘slopness’. It has a phenomenological character people can intuitively feel: Potter Stewart’s test of “I know it when I see it”7, seems apt. Yet I believe we can do slightly better. To put it concretely, slop is something created or consumed without intention.8

Melencolia I by Albrecht Dürer
Melencolia I, Albrecht Dürer, (1514) Minneapolis Institute of Art

Imagine Albrecht Dürer’s Melencolia I materializing through random quantum fluctuations on the far side of the universe.9 Though Dürer’s original is a work pregnant with meaning, here it has none. Meaning is something constituted between an agent and object, not something which inheres to an object itself.10 Meaning requires a rational agent to direct an object towards an end; without that intention what remains is slop.11

The Art of Painting by Johannes Vermeer
The Art of Painting, Johannes Vermeer, (1666) Kunsthistorisches Museum, Vienna

The set of ‘slop’ then is not identical to the set of AI-generated works. It is possible to create slop without AI when creating something solely for the sake of the entity itself, with no greater telosτέλος(télos). It is also possible, though currently rare, to use AI as a tool to create intentional, meaningful works.12 Vermeer is said to have utilized a camera obscura to aid his works.13 Few though would argue that The Allegory of Painting is ‘slop’. What generative AI does though is greatly lower the barriers that used to serve as signals for intentionality.

A well formatted Github ‘readme14 used to be a strong indicator of the quality of the underlying software. A structured comment with perfect grammar helped signal a well thought out argument or reasoned review. Proxies for time spent indicated some degree of intentionality.15 Of course this was not a completely lossless signal. It was possible to find a diamond in the rough and lesser works might try to fake a veneer of quality without the same underlying craftsmanship. Goodhart’s adage, “When a measure becomes a target, it ceases to be a good measure”16 had some strength.

However, due to the cost of replicating, even the pursuit of mimicry here created a ratchet effect to pull the floor of quality upwards. A junior programmer copying a senior’s design patterns improves not only the immediate product, but improves his own skills in the copying. Mi Fu米芾(Mǐ Fú) only developed his unique style of calligraphy after years of copying the ancients.

Due to the increasing algorithmic flood of information we are bombarded with, well-tuned signals are more important than ever. However with the advancement of AI, we increasingly have a ‘Market for Lemons’17. As our signals degrade, adverse selection increases, driving high-quality goods away as they become harder to immediately distinguish. Even if one desires to be intentional in their consumption, there is only so much value that can be extracted from a work created without intention.

The Eruption of Vesuvius by Pierre-Jacques Volaire
The Eruption of Vesuvius, Pierre-Jacques Volaire, (1771) Art Institute of Chicago

II. The Rise and Fall (and Rise Again) of the Gatekeepers

There have long been gatekeepers that controlled access to the cultural realms. During the Song dynasty宋朝(Sòng cháo), the imperial examination system科举(kējǔ)科舉 set the intellectual and cultural bounds of society.18 In the Occident, this role was played by the Catholic Church. Even in a more open American society, the high costs of production and distribution ensured that culture was bottlenecked through studios, broadcasters, and publishers.19

The internet though disintermediated the cultural landscape. As distribution costs were driven to zero, there was no need for a gatekeeper between the consumer and producer. Through blogs, personal websites, community run forums, and direct-to-consumer retail creators could reach audiences directly. There would be, “an army of Davids taking the place of those slow, shuffling Goliaths.”20

However, in systems, value naturally wants to centralize: power accumulates to the executive, capital consolidates in monopolies, “The empire, long divided, must unite”天下大势,分久必合(tiānxià dàshì,   fēn jiǔ bì hé)天下大勢,分久必合21. Without a structural balance of powers and intentional protocols to promote decentralization, gravity collapses the system back toward a single point.

So it was on the internet. The shape was slightly different; with supply abundant, demand instead was consolidated. But the conclusion was the same and the end of the early internet was heralded by the emergence of the new social media giants such as Facebook, Twitter, and YouTube.

This is not to say that centralization is necessarily bad. Economies of scale are real and can provide consumer surplus at least in the short term. The internet titans won mainly by solving the very real problems of search and discovery for people.

Once demand was aggregated, advertising emerged as the natural monetization model. From this two incentives emerged: increase advertising load and improve advertising targeting.

There are two main ways to raise total advertising load. The first is to simply increase advertising density; play five minutes of ads for every five minutes of content. However, this degrades the user experience to the point where users eventually revolt.

The second approach is more pernicious. Ad load can also be raised by increasing the user’s time on platform. At first blush this seems mutually beneficial: the easiest way to keep a user on your platform is to provide them with content that interests them. However, what momentarily engages us is not necessarily what is ‘good’ for us. It is easier to target the limbic system over the prefrontal cortex.

The experience of the chronological ‘following’ or ‘subscriptions’ feed is diminished and defaults are switched to algorithmically personalized home pages which cater to immediate impulses. The platform slowly ‘enshittifies’, but user session duration continues to increase.

However, advertising targeting can still be improved. The best way to improve targeting is through increased data collection. Not just off platform personal data, but also through tracking on platform behavioral patterns.

TikTok revolutionized here first with the short form video feed. Watching or swiping produces a new data point every 15 seconds at most. Youtube and Instagram soon followed with ‘shorts’ and ‘reels’. The new format turns out not only to be great for data collection but also gets users more hooked.

No longer does one have to even choose from a set of algorithmically provided options. There is no friction to continue consuming. No impetus to engage with the material on a deeper level. All content turns into pure ephemera to momentarily satiate crashes of dopamine.

The Banquet by René Magritte
The Banquet, René Magritte, (1958) Art Institute of Chicago

III. PotemkinПотёмкин(Potyomkin) Agorasἀγοραί(agoraí)

In 2021, pseudonymous user IlluminatiPirate posted a conspiracy theory to niche internet forum Agora Road. Titled Dead Internet Theory, it discusses a world dominated by fake data created by bots in order to control and shape public perception.

In 2025, cybersecurity firm Imperva measured 51% of web traffic coming from bots. Cloudflare found 57% of HTML requests were from non-human sources. Russia has used covert AI tools such as Meliorator to, “create ‘authentic’ appearing personas en masse, allowing for the propagation of disinformation… [to exacerbate] discord and [try] to alter public opinion as part of information operations”.

The PrigozhinПригожин(Prigozhin) backed Internet Research Agency (IRA) utilized Facebook, Instagram, Twitter, Youtube, Google+, Gmail, Reddit, Tumblr, LinkedIn, Medium, Pinterest, Vine, Gab, Meetup, VK, LiveJournal, 4chan, 9GAG and Pokémon Go among other avenues to sow discontent on the American populace. Just on Facebook, an “estimated 3.3 million Facebook users followed IRA-backed pages, and these pages are the predicate for 76.5 million user interactions, or ‘engagements,’ including 30.4 million shares, 37.6 million likes, 3.3 million comments, and 5.2 million reactions. Facebook estimates that as many as 126 million Americans on the social media platform came into contact with content manufactured and disseminated by the IRA, via its Facebook pages, at some point between 2015 and 2017.”

On Instagram the IRA ran 12 accounts with over 100,000 followers and 133 with over 10,000. These ran the ideological spectrum from:

The goal was not to promote a specific ideology, but rather to increase tensions among the American public.

The IRA was not alone in carrying out coordinated influence operations (CIOs). Google, in just the month of December (2025), terminated, related to CIOs:

When X rolled out a feature showing where accounts were based from, it exposed that many highly inflammatory US political accounts on the platform are actually based out of different nations. ‘@MAGANationX’ with 392,000 followers was registered in Eastern Europe. ‘@AmericanVoice__’ with over 200,000 followers was shown to be run from South Asia. Ron Smith, “Proud Democrat” and “Professional MAGA hunter”, deleted their 52,000 follower account when it was traced to Kenya.

There is still something to be said for anonymity. Hamilton, Madison, and Jay wrote the Federalist Papers as Publius. Kierkegaard published under Johannes de Silentio, Constantine Constantius and half a dozen other pseudonyms. Soviet dissidents circulated samizdatсамиздат(samizdat) unsigned, or under names that could not be traced back to a kitchen table in LeningradЛенинград(Leningrad). Privacy has often been a precondition for honesty, particularly where power makes honesty costly.

Even our ersatz agoraἀγορά(agorá) though is crumbling. 38% of webpages that existed in 2013 are no longer accessible. Digital institutions such as Wikipedia are not immune from link rot with 54% of articles containing at least one link in their ‘References’ section which no longer exists. As bots flood the commons, the old internet fades away.

Umbrellas in the Rain by Maurice Prendergast
Umbrellas in the Rain, Maurice Prendergast, (1899) Museum of Fine Arts, Boston

IV. An Intentional Web

“[A] mere demarkation on parchment of the… limits of the several departments, is not a sufficient guard against those encroachments which lead to a tyrannical concentration of all the powers… in the same hands.”

— James Madison, Federalist No. 48 (1788)

While a myriad of serious issues plague the current state of the web, our diagnosis is not a prognosis. We stand at a hinge point where there is opportunity for great change. People have begun to feel the costs of the present arrangement: hours scrolling without satisfaction, feeds that reward impulse over interest, replies that turn out to be bots. As people independently seek ways out, a collective action problem which used to look intractable now just requires a path forward.

It is easier to leave a bad environment, than to repeatedly choose well inside of one. The addiction literature shows that removing someone from a cue-rich setting massively improves recovery. In the Catholic Act of Contrition, the penitent resolves not only to avoid sin itself but also the near occasion of sin.

It is common to look for incremental improvements and nudges to larger issues: ‘let’s implement an easily bypassable feed limit to short form content’. This is often the correct choice when the overall system is healthy. However, when the overall structure is broken, incremental improvements can get us stuck in short-term local maxima. We need to take a ‘Brandeisian’, holistic view of the health of the entire market. What structural changes can be made for better long-term results?

There are a number of primitives; core constructs, that we believe when integrated will give communities the conditions to flourish:

Curation over consumption. Works should be treated as artifacts worth keeping, not ephemera to scroll past. We want to design in a way that encourages curation over pure consumption; to inject friction to encourage deeper engagement of materials.

Individuals, not algorithms. Discovery should occur through following specific curators and creators. Content should spread based on quality, not algorithmic dictate. People might consume slop, but share based on higher values.

Local-first data. Having data locally, in open formats, forces communities and platforms to compete on quality rather than exit cost.

Decentralized, shared hosting. Content should live across many hosts rather than a single server. Canonicity should be communally negotiated. No single node should be load-bearing to avoid loss.

Incremental identity, distributed trust. Users should be able to prove specific claims about themselves without exposing the underlying data, and maintain separate personas across contexts. Communities should set their own identity requirements, with trust accumulating from different systems.

Pluralistic governance. Online communities today default to autocracy. What we want is subsidiarity. Governance should take the form that suits the community and operate at the scale that fits the decision.

Humans while containing radical freedom are also social animals. Together we can create systems and communities to point our freedom closer to the Goodτὸ ἀγαθόν(to agathón), the Trueτὸ ἀληθές(to alēthés), and the Beautifulτὸ καλόν(to kalón).

Footnotes

  1. Google Trends, Interest in “slop” in the United States, 2004–2026.

  2. “2025 Word of the Year: Slop,” Merriam-Webster, accessed April 25, 2026.

  3. Runners up include ‘performative’ and ‘six seven’. Not the most auspicious sign for the future.

  4. “And the Economist’s Word of the Year for 2025 Is…,” The Economist, accessed April 25, 2026.

  5. Alex Hern and Dan Milmo, “Spam, junk … slop? The latest wave of AI behind the ‘zombie internet’,” The Guardian, accessed April 25, 2026.

  6. Julie Creswell, “The Allure of ‘Slop Bowls’ Fades as Consumers Tighten Spending,” The New York Times, accessed April 25, 2026.

  7. Justice Potter Stewart, concurring opinion in Jacobellis v. Ohio, 378 U.S. 184, 197 (1964).

  8. More precisely, ‘slopness’ is closer to a scalar than a binary; works possess it in varying degrees, inversely with the intentionality of their creation and consumption. The threshold itself for calling something ‘slop’ is Soritesσωρίτης(sōritēs)-like.

  9. Think Boltzmann brain.

  10. Thomas Aquinas, building on AristotleἈριστοτέλης(Aristotélēs)‘s observation that the soul receives forms “without the matter”22, distinguished between esse naturale, the bare physical existence of a form in matter, and esse intentionale, the existence of that same form as constituted in a mind directed toward it23. A thing may have the first without the second. Our imagined Dürer has esse naturale in abundance; what it lacks entirely is esse intentionale. (For a fuller treatment, see the Stanford Encyclopedia of Philosophy’s entry on mental representation in medieval philosophy.)

  11. Slop is not interchangeable with ‘bad’, it is possible to create ‘high-quality’ non-‘slop’ works which are ‘bad’ as they are directed towards a ‘bad’ end.

  12. Or at least interesting works; see, e.g., acclaimed Chinese director Jia Zhangke贾樟柯(Jiǎ Zhāngkē)賈樟柯’s Dance种舞(Zhǒng Wǔ)種舞 (2026), created using Seedance 2.0.

  13. This is a contested topic, with experts debating if, what, and the extent of tools used.24

  14. The ‘landing page’ for a software project (repository) hosted on Github. Github renders the markdown put into a file called README.md in the project’s root directory.25

  15. “Literature and everyday experience suggest that the allocation of time is a ubiquitous and persistent signal sometimes used deliberately as a screening device.”26

  16. Goodhart’s original formulation was: “Any observed statistical regularity will tend to collapse once pressure is placed upon it for control purposes.” The pithier wording quoted was popularized by Marilyn Strathern.27

  17. George A. Akerlof, “The Market for ‘Lemons’: Quality Uncertainty and the Market Mechanism,” Quarterly Journal of Economics 84, no. 3 (1970): 488–500.

  18. “Cultural construction of neo-Confucian新儒学(Xīn Rúxué)新儒學 orthodoxy through the required educational curriculum for examination candidates guaranteed the long-term dominance of neo-Confucianism新儒学(Xīn Rúxué)新儒學 in intellectual life. The imperial state, gentry society, and neo-Confucian新儒学(Xīn Rúxué)新儒學 culture were tightly intertwined by the ‘educational gyroscope’ that centered on civil service examinations科举(kējǔ)科舉. Through their interdependence, all three dimensions were thereby perpetuated and stabilized for 500 years.”28

  19. To be clear, this is a purely descriptive, not normative, argument.

  20. Glenn Reynolds, An Army of Davids: How Markets and Technology Empower Ordinary People to Beat Big Media, Big Government, and Other Goliaths (Nashville: Nelson Current, 2006), 9.

  21. Luo Guanzhong, Romance of the Three Kingdoms, trans. Moss Roberts (Berkeley: University of California Press, 1991), opening line.

  22. AristotleἈριστοτέλης(Aristotélēs), De AnimaΠερὶ Ψυχῆς(Perì Psychēs) II, pt. 12, trans. J.A. Smith, The Internet Classics Archive.

  23. Thomas Aquinas, Summa Theologiae I, q. 56, trans. Fathers of the English Dominican Province, 2nd ed. (1920).

  24. “Camera Obscura: Sources and Studies,” Essential Vermeer.

  25. “About READMEs,” GitHub Docs, accessed April 25, 2026.

  26. A. Michael Spence, “Signaling in Retrospect and the Informational Structure of Markets,” Prize Lecture, December 8, 2001.

  27. Marilyn Strathern, “Improving Ratings: Audit in the British University System,” European Review 5 (1997): 305–321.

  28. Benjamin A. Elman, “Political, Social, and Cultural Reproduction Via Civil Service Examinations in Late Imperial China,” The Journal of Asian Studies 50, no. 1 (1991): 7–28.